COPERNI AW21: PRIMERA PASARELA "DRIVE-IN" DE LA HISTORIA EN PARÍS FW
Preámbulo
Experiencia
Colección
Créditos:
Dirección creativa : Maybe
Reparto : Samuel Ellis & Piergiorgio Del Moro
Estilo : Helena Tejedor
Producción : La Mode En Images
Música : Clara 3000
Cabello : Louis Ghewy con L'Oréal
Maquillaje : Farah Omidi con MAC Cosmetics
Decorado : DS Automobiles
Looking back from 2026, the Coperni AW21 drive-in format is widely credited as a direct precursor to the immersive, audience-participatory show concepts that now define the experiential runway era across Paris, Milan, and New York.
The Designers Behind Coperni: Sébastien Meyer and Arnaud Vaillant
To understand why the Coperni AW21 drive-in show at Paris Fashion Week carries such weight, it is essential to understand the creative intelligence that conceived it. Sébastien Meyer and Arnaud Vaillant founded Coperni in 2013, naming the label after the Renaissance astronomer Nicolaus Copernicus, a figure synonymous with rethinking the relationship between known structures and the vast unknown. The name is not incidental. It signals a foundational commitment to repositioning the observer, shifting perspective, and questioning what the centre of any given universe truly is.
Meyer studied at the prestigious Institut Français de la Mode in Paris, while Vaillant brought a background in business and brand strategy, creating a partnership that balances rigorous aesthetic vision with sharp commercial awareness. Prior to launching Coperni as an independent house, both designers served as co-creative directors at Courrèges, where they earned critical praise for reviving a legacy brand with contemporary clarity.
Their approach at Coperni has consistently fused technology, science, and sensuality into wearable propositions that feel neither cold nor purely conceptual. The AW21 collection and its drive-in format were not a departure from their established language but rather its most concentrated expression: structured yet fluid, intimate yet theatrical, rooted in precision while open to the poetic.
Context: Why Paris Fashion Week AW21 Demanded Reinvention
The Paris Fashion Week AW21 season, held in March 2021, arrived during one of the most constrained periods in the history of the global fashion calendar. Ongoing public health restrictions across Europe had fundamentally altered the conditions under which designers could present their work. Traditional runway formats requiring large seated audiences were not viable, and many houses turned to pre-recorded digital presentations, lookbooks, or short films distributed via streaming platforms.
Within this landscape, the pressure to remain culturally relevant while respecting public safety guidelines was acute. Several major houses opted for archival references or intimate studio settings. Coperni’s response was categorically different. Rather than retreat into safety, Meyer and Vaillant identified the constraints themselves as creative raw material.
The drive-in format, a cultural reference rooted in mid-twentieth century American leisure and later repurposed during the pandemic for outdoor cinema and live events, was transplanted into the grandeur of the Accord Arena in Paris’s 12th arrondissement. The result transformed a logistical problem into a statement about collectivity, mobility, and the enduring human desire to witness something together, even when togetherness must be reimagined. In doing so, Coperni did not simply adapt to the moment; it defined it, and the fashion industry took careful note.
Legacy and Influence: How Coperni AW21 Reshaped the Runway Conversation
The reverberations of the Coperni AW21 Paris FW presentation extend well beyond the single evening of filming on 4 March 2021. Within the wider industry discourse, it is consistently cited alongside a small number of runway events that genuinely altered expectations of what a fashion show is permitted to be. The format introduced several ideas that have since become recurring considerations in show production: the audience as participant rather than passive spectator, the venue as a character with narrative function, and transport as both medium and metaphor.
From a production standpoint, the coordination required to navigate 35 electric DS Automobiles through the streets of Paris and into precise formation inside a 20,000-capacity arena represented a logistical achievement that demanded collaboration across automotive, event production, and fashion disciplines. DS Automobiles’ involvement as set partner was not mere sponsorship; the vehicles were integral to the visual and conceptual architecture of the show.
The choice of electric cars also carried an implicit environmental commentary, aligning the spectacle with a broader conversation about sustainability and responsibility that the fashion industry continues to navigate. Music by Clara 3000, hair by Louis Ghewy with L’Oreal, and makeup by Farah Omidi with MAC Cosmetics completed a production that was as precisely choreographed in its collaborative credits as in its spatial design. Looking back from 2026, the Coperni AW21 drive-in is understood not as a pandemic-era anomaly but as a deliberate, repeatable proposition for experiential fashion presentation.


