Azura Lovisa & Touching Bass

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In 2026, Touching Bass continues to expand its international footprint, with residencies and events across New York, London, and Lagos cementing its reputation as one of the most vital forces in soulful, community-driven music culture.

The Vision Behind Azura Lovisa and Touching Bass

At its core, the collaboration between Azura Lovisa and Touching Bass is an act of world-building. Azura Lovisa, the London-based creative director known for constructing rich visual mythologies that draw on diasporic identity, ancestral memory, and speculative futures, found in Touching Bass a partner whose cultural philosophy runs along strikingly parallel lines. Where Lovisa’s practice asks what an alternative future might look and feel like, Touching Bass asks what it might sound like, and crucially, who gets to inhabit it.

Founded by Alex Rita and Errol Anderson, Touching Bass has grown from a respected London club night into a fully realized cultural institution. Its record label, radio programming, and live events have earned it recognition far beyond the dance floor. The platform operates on the conviction that soulful music, broadly defined, is a vehicle for collective healing and communal joy. When both creatives bring their respective disciplines into a single frame, the result is not simply a fashion film. It is a proposition: that beauty, movement, and sound, experienced together, constitute a form of resistance and renewal.

The film’s title, Moment, Momentum, captures this dual intent precisely. A moment is intimate and singular; momentum is shared and forward-facing. The project holds both impulses simultaneously, asking its audience to be present while also looking ahead.

Craft, Collaboration, and the Creative Team

A project of this ambition requires an ensemble of specialists working in genuine dialogue, and the credits behind Moment, Momentum reflect exactly that. The film was directed and shot through the lens of CHILD Studio alongside cinematographers Tayo Rapoport, Joshua Renaut, and Buster Grey-Jung, a collective approach to image-making that prioritizes atmosphere and rhythm over conventional fashion film aesthetics.

Hair direction by Philipp Haug, TONI&GUY International Artistic Director, and the TONI&GUY Session Team using label.m Professional Haircare, brought a considered editorial sensibility to each look, ensuring that texture and movement served the film’s kinetic energy rather than competing with it. Makeup artist Mee Kee Song, supported by assistants Kimie Yashiro, Jade Harris, Hanna Friedrich, and Hanna Gudnadottir, applied a similarly expressive approach, with skin and color functioning as part of the broader visual language rather than as a finishing layer.

Jewelry contributions from Birgit Toke Tauka Frietman and Tanaporn Wongsa added material weight and cultural resonance to the cast’s presence on screen. Photography by Zaineb Abelque extends the project’s reach into still imagery, capturing instants of connection and abandon that the moving image can only approximate. Across every discipline represented in these credits, the shared commitment is to work that feels alive rather than merely polished.

Cultural Significance and the Expanding Global Footprint of Touching Bass

The timing of this collaboration matters. In 2026, Touching Bass continues to expand its international footprint, with residencies and events across New York, London, and Lagos cementing its reputation as one of the most vital forces in soulful, community-driven music culture. For a New York audience attuned to the intersections of fashion, sound, and identity, Touching Bass represents a lineage that connects jazz clubs and house parties to contemporary club culture without flattening the distinctions between them.

The musicians featured in Moment, Momentum, Leaux and Arnheim, were selected with care. Their contributions to the soundtrack underscore the project’s investment in showcasing emerging and independent artists whose work aligns with the platform’s values rather than simply its aesthetic.

The support of the British Fashion Council situates this collaboration within a broader institutional conversation about what fashion communication can accomplish when it moves beyond the product and toward the experiential. It signals a growing recognition that the most resonant fashion content of this era is being made at the intersection of disciplines, by creative communities that bring their full cultural histories to the work.

For readers of this publication, Moment, Momentum offers both a compelling ten minutes of viewing and a useful model: that style, at its most meaningful, is inseparable from the music, the movement, and the people who give it life.