MET Costume Institute Spring 2017 Show


Rei Kawakubo for Comme des Garçons

REI KAWAKUBO/COMME DES GARÇONS: ART OF THE IN-BETWEEN

THE MET’S COSTUME INSTITUTE SPRING 2017 EXHIBIT

On a crisp morning during Paris Fashion Week, Conde Nast editorial director Anna Wintour together with Andrew Bolton, The Metropolitan Museum of Art ‘s curator in charge of The Costume Institute, formally announced their first monographic exhibition dedicated to a living designer since the 1983 retrospective on Yves Saint Laurent. “Rei Kawakubo/Comme des Garçons: Art of the In-Between” on view beginning May 4 through September 4 (The Met, Fifth Avenue, Iris and B. Gerald Cantor Exhibition Hall, Floor 2) spans nearly four decades of Ms. Kawakubo’s womenswear collections. One hundred fifty pieces will be grouped into eight thematic binaries that delve into her aesthetic fixation on interstitiality: Fashion/Anti-Fashion, Design/Not Design, Model/Multiple, Then/Now, High/Low, Self/Other, Object/Subject, and Clothes/Not Clothes. Much the way jazz musicians purposely strike a note between two beats, Ms. Kawakubo’s fashions seek innovation, meaning, and connection in the void.

Ms. Kawakubo has captivated the fashion industry since launching Comme des Garçons in 1975 and subsequently showing in Paris in 1981. Her ascendance, in concurrence with Yohji Yamamoto and Issey Miyake, heralded the global significance of Japanese fashion design. Even then she was already assaulting expectations by using non professional models, art and film celebrities in photography and runway shows. More noteworthy were her transmutations of fabrics on the loom with long time collaborator Hiroshi Matsushita to effect texture and complexities of the weave. Evincing a fascination for the architecture of Le Corbusier and Tadao Ando, her creations defy conventions of silhouette, drawing on the complex layering of the Japanese kimono to construct garments within which the body can reside. That these sculptures in cloth provoke continued discourse and still remain cryptic provides the exhibit a platform in its attempt to unravel some, if not all, their multivalent mysteries.

As is the tradition, this year’s Costume Institute Benefit, also known as The Met Gala, inaugurates the exhibit on May 1. New York’s most anticipated social event, it will be co-chaired by Tom Brady, Gisele Bundchen, Katy Perry, Pharrell Williams and Anna Wintour, with Rei Kawakubo and Ambassador Caroline Kennedy serving as Honorary Chairs. The design for the benefit will be created by Nathan Crowley with Raul Avila, who has produced the Benefit décor since 2007. www.metmuseum.org/ReiKawakubo

Rei Kawakubo for Comme des Garçons
Rei Kawakubo for Comme des Garçons Body Meets Dress–Dress Meets Body, spring/summer 1997
for Comme des Garçons 18th Century Punk, autumn/winter 2016–17
Rei Kawakubo for Comme des Garçons Body Meets Dress–Dress Meets Body, spring/summer 1997
Rei Kawakubo for Comme des Garçons Blue Witch, spring/summer 2016

IMAGES:

(1)Rei Kawakubo for Comme des Garçons  Photo: Courtesy of Comme des Garçons. Photograph by © Paolo Roversi; Courtesy of The Metropolitan Museum of Art

(2)Rei Kawakubo for Comme des Garçons  Body Meets Dress–Dress Meets Body, spring/summer 1997 Photo: Courtesy of Comme des Garçons. Photograph by © Paolo Roversi; Courtesy of The Metropolitan Museum of Art

(3)Rei Kawakubo for Comme des Garçons  18th Century Punk, autumn/winter 2016–17 Photo: Courtesy of Comme des Garçons. Photograph by © Paolo Roversi; Courtesy of The Metropolitan Museum of Art

(4)Rei Kawakubo for Comme des Garçons  Body Meets Dress–Dress Meets Body, spring/summer 1997 Photo: Courtesy of Comme des Garçons. Photograph by © Paolo Roversi; Courtesy of The Metropolitan Museum of Art

(5)Rei Kawakubo for Comme des Garçons Blue Witch, spring/summer 2016 Photo: Courtesy of Comme des Garçons. Photograph by © Paolo Roversi; Courtesy of The Metropolitan Museum of Art

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